Choose a material vocabulary.
Limit the image to folds, a cylinder and one flat interruption. The constraint helps each silhouette remain legible.
An image between a fold and a form.

Image 01 — The complete assembly.
Ultramarine forms sit against a lilac field, interrupted by a single acid-yellow plane. Light describes the changes in direction. The image is treated as an arrangement of surfaces rather than a scene to explain.
Limit the image to folds, a cylinder and one flat interruption. The constraint helps each silhouette remain legible.
Use the direction of the folds and the weight of the shadow to make the arrangement feel balanced without becoming symmetrical.
Compare the whole composition with two detail crops. A fold becomes a line; an opening becomes a counter; the original still life begins to suggest a different kind of graphic language.